Baruch College’s Mishkin Gallery Presents Who Speaks for the Oceans? Exhibition
October 13, 2022
The Mishkin Gallery at Baruch College is currently presenting the exhibition Who Speaks for the Oceans? on view through December 9. The exhibition proposes new and challenging ways to shift our understandings of and relationships to whales and other nonhuman animals.
Through over fifteen interdisciplinary artworks in video, installation, painting, tapestry, music, performance, and more, Who Speaks for the Oceans? analyzes epistemological and historical knowledge built around what we think we know about life in the ocean through the charismatic “whale song.” As we approach a crucial moment concerning the condition of our planet, listening to whale vocalizations and other marine creatures can bring us closer to understanding their needs and encouraging action towards healthier stewardship of the oceans.
Rave Review: “Who Speaks for the Oceans?,” co-curated by Mishkin Gallery Director Alaina Claire Feldman and Distinguished Professor of Biology and Environmental Sciences David Gruber, was recently reviewed by The New Yorker and can be read here.
Many historic representations of ocean life have been informed by colonial, racialized, gendered, and terra-centric conventions alongside the production of nature, which will be exposed and critiqued through the multiple perspectives of an international and intergenerational group of artists. Traversing a polyvocal marine geography, the artists in Who Speaks for the Oceans? encourage listening beyond normative patterns of consumption. They also consider how technology, assumed to be indexical and scientific, has informed imaginary and fantastical perspectives of non-terrestrial worlds. Some artists in the exhibition play with such perspectives and offer alternative future projections, while others reflect on and amplify overlooked histories.
The first recorded whale vocalizations were publicly released in 1970 through the LP Songs of the Humpback Whale. These recordings were widely distributed through National Geographic as the largest environmental record pressing of all time. They heavily influenced artists and activists alike, while introducing human listeners to empathic perspectives of ocean life. The recording spearheaded the Save the Whales campaign, was played on the floor of Congress, and in-part, helped to ban commercial whaling in the United States. If listening to such sounds inspired monumental change in the 1970s, what can we continue to learn from this history today? Who Speaks for the Oceans? encourages revisiting our relatively new position as stewards of the planet to reimagine creative ways in which listening to one another can lead to action and bring forth equitable futures.
Artists: Ant Farm, Ursula Biemann, Else Bostelmann, Myrlande Constant, Jacques Cousteau and Louis Malle, Pia Dehne, Miho Hatori, Marguerite Humeau, Will E. Jackson, Joan Jonas, Dominique Knowles, Alvin Lucier, Chris Marker and Mario Ruspoli, Josèfa Ntjam, and Roger Payne
An illustrated booklet designed by Bryan Chu and Eline Mul including essays by the curators and extended artwork descriptions are available for free at the gallery and online here.
Behind the Scenes of the Exhibition
Who Speaks for the Oceans? is curated by Alaina Claire Feldman, Director and Curator of Mishkin Gallery and David Gruber, Distinguished Professor of Biology and Environmental Sciences. Support for this exhibition has been provided by the Weissman School of Arts and Sciences. This exhibition is made possible with support from Etant donnés Contemporary Art, a program of Villa Albertine and FACE Foundation, in partnership with the French Embassy in the United States, with support from the French Ministry of Culture, Institut français, Ford Foundation, Helen Frankenthaler Foundation, CHANEL, and ADAGP. Special thanks to Project CETI.
Support for the “Who Speaks for the Oceans?” exhibition has been provided by the Weissman School of Arts and Sciences. This exhibition is made possible with support from Etant donnés Contemporary Art, a program of Villa Albertine and FACE Foundation, in partnership with the French Embassy in the United States, with support from the French Ministry of Culture, Institut français, Ford Foundation, Helen Frankenthaler Foundation, CHANEL, and ADAGP. Special thanks to Project CETI.
Dates: September 1 – December 9
Location: Mishkin Gallery, 135 E. 22nd Street, New York City
Gallery Hours: Monday – Friday from 11 a.m. to 6 p.m
Gallery Contact Info: (646) 660-6653
The gallery is free and open to the public.
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